Satellite images show Burning Man’s temporary desert city taking shape with entry lines, camps, a temporary airport, Center Camp, and major art installations across the Black Rock Desert.
Burning Man is turning Nevada’s Black Rock Desert into a temporary metropolis again. Thousands of participants began entering the gates at midnight on August 30, bringing the food, water, shelter, and supplies needed for a week in the remote playa about 80 miles north of Reno. Roughly 70,000 people are expected to attend the art festival, which is described as an annual experiment in radical self-expression, communal effort, and civic responsibility.
Before the event opens, survey crews mark Black Rock City’s clock-face plan on the empty playa, with radial avenues extending from the Man and curved streets forming the semicircular camping area. Satellite images also show long lines of vehicles funneling toward the entrance gates as arrivals move across the desert. The temporary Black Rock City Municipal Airport, built on the playa instead of asphalt, is shown with small planes and support vehicles during the event.
Early arrivals raised shade structures, built camps, and installed artwork as Black Rock City filled in. This year’s creations include a metal octopus, a shattered Eiffel Tower, the Man, and the Temple of the Moon, a 170-foot-wide sanctuary for reflection and remembrance. The Man and the Temple of the Moon are both made to be burned in separate ceremonies near the end of the event.
Temperatures are forecast to hover around 80 degrees during the first half of the week. Gusty winds could still whip up the playa’s notoriously punishing dust, a familiar challenge for participants in the remote desert setting. The satellite views underline the scale of the logistical effort: roads, gates, camps, civic spaces, art, and transportation systems all appear on what is otherwise an open desert landscape.